Thursday, November 10, 2016

Marji's Maturity, and Writing Based On Her Childhood

Up to this point in the story, one of my favorite parts is how Marji knows a lot, but understands so little. Marji is deeply invested into issues that mostly concern adults, but doesn’t understand some basic situations. As some other blogs have pointed out, there is the major example of the death of the old man. She doesn’t understand what is so humorous about the situation even though to the reader we see how comical the story was.
               To me, one of the most interesting thing is how I understand the logic of the situation, but not the physical situation, and for Marji it is the exact opposite. I think this contrast is what makes the book so readable, as the reader makes connection Marji doesn’t, as well as Marji giving a historical context the reader may not necessarily know. I know this connection wouldn’t work for people who know a lot about The Islamic Revolution in Iran, in 1980, but for our class It seems to work well.
               Another cool thing is how Marji not only knows a lot of historical context. You may say that since this book is written from a future voice about Marji when she was 10, that’s where she knows the information from. However, on page 12, Marji talks about how she was kept interested by books and learned all about people like Fidel Castro, and the young Vietnamese. Another interesting thing I noticed was how she says her favorite book was a comic, and not only was it a comic, but a comic about philosophers. To me this is kind of strange, but also significant imagery. Like Marji’s character, the comic book about philosophers is like a kid’s version of the deeper and more adult things in life. The philosophers joking around is like Marji’s lack of understanding for nuance and irony.

               Not only do the comic philosophers represent Marji at a young age, but also the philosophical comic idea translates exactly to the format of the book. This book has a deceptively simple comic style, with deep themes. Marji’s character has an interesting relationship with the reader with seemingly alternate senses of the situation. At least this seems to be true for most readers, who don’t already know about Iran and its political history. I think her having a favorite book which is a deep comic is self-relating to the style of the book that she writes when she’s older and she looks back on these times. I think these things make the book more interesting, and deep. Do you guys think that the connection of her favorite book is a bit too far? I think it is plausible, but I think we would need to have read the full story to back up all claims.